4th March 2018 | Review by Stuart reed
The forty-strong Portsmouth Philharmonic knows how to put on a proper show. And its concert at the Church of the Resurrection, Drayton, was no exception.
Capacity crowds are rare for Sunday afternoon classical music concerts. For the Church to be more than half full of music lovers was a good result for this or any other amateur orchestra. The programme was varied and carried off with a lightsome touch.
‘Cellist Alan Glock, who would make a good Falstaff for a Shakespeare play, amused the audience with his witty introductions of the works performed. He set just the right tone.
Under the baton of Mike Morton, a march and a concertino written by Carl Maria von Weber for wind band opened this jewellery box of music. The flutes, oboes and clarinets sounded really mellow in upper registers. The addition of Jude Caunter and John Mason on trombones and Paul Rooney on double bass gave both works a firm foundation. Wendy Carpenter, who plays oboe in three orchestras, gave the Concertina in C more sparkle than Markle.
The strongly rhythmic first movement of Karl Jenkins’ Palladio went down a treat too. It kept the performance rolling along, ready for a welcome bit of tranquillity in the form of the slow movement of Johann Sebastian Bach’s violin concerto for two violins. The orchestra’s leader Colin Wilkins and violinist Trudy Mansfield intertwined Bach’s syncopated harmonies with unhurried aplomb.
This was no mean achievement for two players with very different musical histories. Perthshire lass, Trudy, played in a youth orchestra and a Ceilidh band before coming south in search of warmth. (She really does feel the cold). Colin, who as a young man, was one of the original members of Havant Symphony Orchestra, plays on a particularly fine violin which he made himself.
Johannes Brahms upbeat Academic Overture rounded off the first half of the programme with joyful vitality.
Franz Schubert’s Symphony Number 8 was the finale. Often referred to as “The Unfinished”, it is a powerful work. As forecast, Portsmouth Philharmonic played it well. Just as conductor Hugh Carpenter longed for in rehearsal, the dynamics were nicely contrasted.
Halfway through the show, capricious Hugh Carpenter (the Musical Director) pulled an unexpected rabbit out of the hat, by dishing out percussion instruments to children in the front row. After a quick run through, they were asked to play along with his Hugh’s own composition.
Portsmouth Philharmonic is this area’s most prolific charity orchestra. It has raised more than fifteen thousand pounds over the years for many worthy causes. Money from this concert was for the rheumatology department of Queen Alexandra’s Hospital.